The National Museum of Contemporary Art (EMST Εθνικό Μουσείο Σύγχρονης Τέχνης (ΕΜΣΤ)), established in October 2000, is the sole national institution focused only on collecting and exhibiting contemporary Greek and international art in Athens. Anna Kafetsi, Ph.D in Aesthetics- Art History and former curator for 17 years of the 20th century collection at the National Gallery of Athens, was appointed founding director of EMST.
EMST first operated, from 2000 to September 2003, on the ground floor of approximately 1,800 square meters, of the old Fix brewery, an example of post-war industrial architecture designed by Takis Zenetos. It is located in close proximity to the center of Athens as well as the archaeological sites of the city, including the Acropolis and the Acropolis Museum. As of 2020, the restoration of the building is in progress in order to create state of the art facilities for the permanent collection, periodic exhibitions, educational programs, and workshops. After an international architectural competition was announced, the architectural office which won the first prize and will realize the renovation of the Fix building are 3SK Stylianidis Architects in collaboration with Ioannis Mouzakis and associates architects LTD – studies of technical works Pan. Babilis and associates, and INSTA.
Until the return of the museum to the Fix building, EMST will continue its exhibitions program in the spaces of the Athens Conservatory, one of the most prestigious cultural institutions and finest buildings of architecture in the capital. By 2020, the Greek government spent 40 million euros on the museum, with the Stavros Niarchos Foundation giving a further 3 million euros in the final push towards completion. In the meantime, the delays in the museum's opening cost EMST a 3.3 million dollars subsidy from the European Union. Ownership of the Fix building was transferred from the subway authority Attica Metro, which owned the former brewery since the 1990s, to the museum foundation.
Pivotal aspect of the EMST’s artistic policy is the enhancement and enrichment of its permanent collections with works from Greek and international artists. There are two main axons according to which the collections are structured: a historic one, dating from the second half of the 20th century, and a contemporary one.
The museum is developing its permanent collections through purchasing works of art as well as soliciting donations. EMST aims at developing, within the next few years, a core collection of works representative of the basic directions of contemporary art.
Among the most important acquisitions are works by Ilya Kabakov, Stephen Antonakos, Gary Hill, Nan Goldin, Vadim Zakharov, Gillian Wearing, Ann Sofi Siden, Vlassis Caniaris, Nikos Kessanlis, Dimitris Alithinos, Nikos Navridis, Joel Sanders, Allan Sekula, Costas Tsoclis, George Hadjimichalis, Chryssa, Yiannis Psychopedis, Andreas Angelidakis, Lewis.Tsurumaki.Lewis and Tessera.
A rich collection of video art has also been built. Among the most prominent artists are: Bill Viola, Bruce Nauman, Nam June Paik, Mona Hatoum, Vito Acconci, Dan Graham, Robert Wilson, Tony Oursler, Marina Abramović & Ulay, Chris Burden, Lynda Benglis, Sadie Benning, Sophie Calle & Gregory Shephard, Carolee Schneemann, Martha Rosler, Dara Birnbaum, Walid Ra’ad/The Atlas Group and Jayce Salloum.
I visited this shop in September of 2014. I got a pair of sandals and loved the experience. I wear them semi often and they have held up perfectly. They are still beautiful. I am excited to return this year (2020) and get another pair. I darkened mine with olive oil a couple times to darken the sandals and I love the look. If I remember correctly only some styles were available when I went. Is there a way to know which ones will be available or request a certain style to be available?
Like any other historic places, you will find this almost same as them. And by same, I do not mean the exact same, I mean there is nothing so much unique to see there. But it is good for sight seeing and photography purposes. The whole city (Athens) has its own unique vide though. If you somehow visit it then it is fine but don't go there specially because you won't see anything new.
This tour was fabulous! George was such a great and entertaining storyteller. I remember insights from Greek history days after (and hopefully also in the future). There was just the right amount of walking and talking and whenever I had an additional question, George could answer it on the spot! I loved the additional recommendation on where to get a great view of the city and what museum to visit. I did both and I sure was not disappointed. I fully recommend!
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